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Reviewed by Dennis Schwartz

Burt Kennedy’s “The Train Robbers” is a standard Western that has
a unique premise and a dumb plot twist for a surprise ending. It never
amounts to more than a nostalgia piece, with an aged and overweight John
Wayne trying to bring back the good ole days at every turn of the cutesy
but inconsequential tale. 

Mrs. Lowe (Ann-Margret) is a buxom widow who wishes to recover $500,000
in gold in the Mexican desert that was stolen by her husband some years
ago and stashed away, where only she now knows where it is. There were
ten men in on the robbery, but only seven are left. Mrs. Lowe hires Lane
(John Wayne) and he hires gunslingers Jesse (Ben Johnson) and Grady (Rod
Taylor), who in turn hire Ben Young (Bobby Vinton), Sam Turner (Jerry Gatlin),
and Calhoun (Christopher George), to go into the Mexican desert and return
the gold to the railroad for a $50,000 reward so that she can clear her
family name and use the reward to raise her son. 

After the gold are hubby’s seven ex-partners, who are willing to
shoot it out for the loot. Also on the trail is a lone Pinkerton man (Ricardo
Montalban).

Kennedy’s uninspired direction calls for plenty of landscape shots
of the barren desert, the sand dunes and blue skies. Wayne voices his reactionary
stance as the self-appointed leader who cuffs his loyal subjects around
to give them a taste of his benovolent despotism. Ann-Margret is along
to get the horny cowpokes hot without getting herself dirty in an ‘R” rated
way. The rest of the cast are all about male bonding around a campfire
and showing the Duke that they believe so much in his leadership that they’d
follow him to hell if need be. This easy to take Western was hard for me
to take.

Some 1300 years Narnian on the dot since their matrix visit, the kings and queens of the land bring to light that in their absence, the Gold Adulthood of Narnia has become extinct, Narnia has been conquered by the Telmarines and is now under the knob of the ruin King Miraz (Sergio Castellito). The four Pevensie children (William Moseley, Anna Popplewell, Skandar Keynes, Georgie Henley) meet Narnia’s right beneficiary to the throne, the progeny Prince Caspian (Ben Barnes), who has been false into hiding as his uncle Miraz plots to kill him in order to place his own newborn son on the throne. With the assistants of a kindly dwarf (Peter Dinklage), courageous talking mouse Reepicheep (Eddie Izzard), the badger Trufflehunter (Ken Stott) and Black Dwarf, Nikabrik (Warwick Davis), the Narnians, led by the enormous knights Peter and Caspian, assume on a journey to find Aslan (voice of Liam Neeson), rescue Narnia from Miraz’s tyrannical hold, and restore magic and repute to the land.

Impact Pt I full video dvd

Format :

Blu-ray

Editeur :

Metropolitan

Zone :

B

Date de sortie :

22/10/2008

Langues :

Français DTS-HD MA 6.1 / Anglais DTS-HD MA 6.1 /

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Bonus:

Commentaires audio. Le Making of. La règle du jeu. Les pièges du tueur au puzzle. Du Storyboard à l’écran. Zombie. La véritable histoire de Saw. L'enquête de Scott Tibbs. Les contes de Billy. Saw II en 3 animations. Bandes annonces.

L'édition SD nous avait un tantinet déçus. Le Blu-Beam et son encodage VC-1 est là pour nous réconcilier, du moins dans les grandes lignes. Ce second production de la tétralogie enchante sous bien des …

A l'image de ce que nous avons pu découvrir avec le Blu-Ray du premier opus, les mixages DTS-HD Ingenious Audio 6.1 anglais et français font des merveilles (avec une nette préférence pour la version …

Test interactivé / extra 3/5

Attardons-nous sommairement sur le nouveau montage proposé ici. Sommairement est le mot puisque si la franchise Saw ne brille pas particulièrement pour l'énorme contraste constaté sur ses versions …
16 septembre 2009
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8 commentaires

Il a beau être mort et enterré (à moins que…), le Jigsaw Killer continue de nous livrer chaque année sa nouvelle fessée cinématographique et, comme à chaque fois, pléthore d'affiches accompagnent …

Preview
06 mars 2009
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4 commentaires

Rendez-vous désormais incontournable de chaque période de fin d'année (mais jusqu'à quand tiendront-ils ce rythme ?), le prochain épisode de la saga Saw aiguise donc d'ores et déjà ses lames acérées …

Général rumour
20 octobre 2008

La saga Saw est revistée par le format Blu-Ray grâce au coffret de la tétralogie édité par Metropolitan. Penchons nous aujourd'hui sur les deux "director's cut" de Saw et Saw 2 reprenant les …

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In some bright scriptwriter’s brain, there’s a musical that evokes the heyday of Rooney and Garland and stirs you up with song and dance. Walt Disney’s “Newsies” is not that musical.

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Set in the summer of 1899, the movie’s about the trouble that arises when New York tabloid publisher Robert Duvall ups the price of his newspaper. Hardest hit are the young newspaper hawkers (the “newsies”), who have to buy in bulk.

From this juvenile discontent arises leader Christian Bale (the kid from “Empire of the Sun”), who organizes his non-unionized fellow urchins in a citywide strike. Duvall, his goons and a boys’ home director (Kevin Tighe) who’s been on the lookout for escapee Bale get to villainous work.

The script, based on a true story, is nonetheless bland and meandering. Scriptwriters Bob Tzudiker and Noni White string the elements together loosely and without much zest. Director Kenneth Ortega, a choreographer for countless music videos and the movies “One From the Heart” and “Dirty Dancing,” never reaches the high points. He doesn’t even get off the ground. He wants to make a seamless, stylized show of leaping, quipping, tough-talking kids. But his cast of youthful unknowns just isn’t up to it. They don’t dance together. They scramble. Their voices — singing and speaking — seem weak and tentative. From clutzy dance numbers to its collection of overtheatrical New Yawk accents, “Newsies” is all left feet, noise and clutter. It looks like its own rehearsal — an early one at that.

Even music composer Alan (”The Little Mermaid”) Menken and lyricist Jack Feldman seem a little off. At one point, homeless Bale sees the harmonious atmosphere of newsie pals David Moscow and Luke Edwards. He slinks quietly away and — in a musical soliloquy meant to be touching — blurts, “So dat’s what dey cawl a fam’ly/Wid a fadda, mudda, son.”

Duvall is incapable of hiding his talent. Even in a piece of mediocrity like this he gets in a few memorable tics as evil millionaire Joseph Pulitzer. At one point he has assembled his rival publishers (including archenemy William Randolph Hearst) to discuss their common enemy — the newsies. As he circles his seated invitees, Duvall brings his hands in a strangulating gesture just inches from Hearst’s throat, as he makes a quick, almost indiscernible choking splutter. But in the same movement, he checks himself and pulls away. He has a business speech to deliver, after all. It’s a deft, humorous little touch — and probably the best bit of choreography in the whole movie.

by Alison Nastasi Mar 2nd 2010 // 6:15PM

Tranquil all the same I grew up in New York City, I was always surrounded by beloved derivation pets that ranged from pretentiously to small. There was Gypsy, our German Shepherd and the kitty gang, Stinky, Spooky Skeezer and Louie (formerly Lu Lu before "she" grew noticeable boy parts), along with a Russian Dwarf Hamster named after a character from one of my favorite infancy books, Emmylou Tittlemouse. One of the pets I calm need to this heyday was a rabbit named Pierre, who was a black, wee something-or-other stock and lived in the bedroom my colleague and I shared at the time. Our brawny orange cat, Louie, would affliction Pierre by camping manifest on top of his cage and glaring at him for hours on outdo. You can't not do justice to nature.

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was somewhat shocking — in particular, seeing that many rabbits in cages, in a specific space. Equally nonconforming is the coveted right of National Rabbit King and Queen that the teenage enthusiasts are fighting to bring home the bacon. But as Do points outside, what seems different unqualifiedly isn't that unaccountable after all: "You can supersede the teens' sweetie of rabbits with any other hobby or sport, and empathize with their motivation and goals."

Rabbit Fever

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This ambitious contemporary musical quite literally makes a beefy staging calculate out of AIDS. The virus looms sizeable in the lifetime of Jeanne (Ledoyen, gamine to a fault), who thinks she has found the perfect guy until he starts getting dizzy spells and ends up in the hospital. He’s played by Mathieu Demy, son of Jacques, who of line made the definitive Gallic musical in The Umbrellas of Cherbourg. No Michel Legrand multitudes here, anyhow, honourable bustling sub-Eurovision tunelessness which leaves the heart resolutely untouched. The jaunty choreography and vivid colours make a piquant deviate from with the serious gist matter, but we never really believe in the characters enough for the purpose it to count. An spirited idea, disappointing in killing.

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GALAXY CRUSADE

Synopsis:

Never give up, Never Surrender! Galaxy Quest is part parody, part space adventure & total comic relief! The crew of the NSEA Protector have sworn to protect & uphold the liberty of all life it comes in contact with. That is until their series was cancelled. Now Commander Peter Quincy Taggart (Tim Allen) Dr. Lazarus (Alan Rickman) Lt. Tawny Madison (Sigourney Weaver) & the rest of the bridge crew, Laredo, Tech Sgt. Chen & Crewman #6 are eeking out a living on the Sci-Fi convention circuit, until envoys of the Thermian race request their assistance in defeating the greatest enemy their race has ever known. Having reviewed the “Historical Documents”, the Thermians know the only hope for saving their people lies in the hands of the Crew of the NSEA Protector & their knowledge of the mysterious yet powerful Omega 13! Thinking this just another, Sci-Fi gig, Commander Taggart accompanies the Thermians to their “Space Ship” & is blown away…mentally, when he realizes it’s a “REAL” space ship! Galaxy Quest is probably one of the funniest movies I have ever seen! As a fan of Star Trek for over 30 years, I greatly enjoyed this session of good-natured ribbing!